As part of my journey to Tipping Point in Canberra 2013 I am pitching a theoretical art project that take place in Australia 20 years from now. The best bit? I get to decide what will happen in the next 20 years, as a premise and backdrop for my project. What follows is my fictional creative prediction, based on some admittedly worst-case possibilities and their consequences. It’s going to form the first half of my 3 minute pitch, so it will be edited down some more.

What do you think? Are these scenarios completely out-there and improbable? Any advice, comments, links or suggestions would be much appreciated.

Australia 2033; a fictional fact-sheet for Tipping Point 2013, #TiPP13

Internationally, power and manufacturing, resource extraction and consumption have become almost completely decentralised. Climate change continues at a rapid rate.

Most data is handled using a combination of fibre optics and biotech processing and storage.

A crisis from a civil war in the United Kingdom caused Australia to adopt a poorly-planned presidential governance model. Instability resulted and combined with an attempted hostile takeover by two foreign powers.  The takeover failed but damaged infrastructure we lost control over most of Australia’s offshore oil and gas. Some stability was restored after substantial loss of life, due to famine and internal skirmishing.  Infrastructure attacks and rogue resource theft by anonymously controlled illegal micro-drones still reduces stability.

Ice-melt in the Himalayan mountains, the Arctic and the Antarctic allowed discovery and exploitation of huge iron and coal deposits by other powers. This was unpredicted and sudden. In 2016 an open-source hardware mining and resource collective originating in Brazil peer-funded itself and now digs and deals the bulk of the world’s ores. Its distributed systems produce an astonishingly reliable supply.

Australia in 2033 is characterised by tiny inhabitable areas and a population that travels overseas to work. Our major industries are:

  • The export of skilled labour, workers who travel more as their skills increase and send home money to family, working on ships, 3D printing facilities, mines, offices, hospitals, human services, water technology.

  • Live camel, kangaroo, sheep, and cattle export.

  • Organ stock from living hosts – transplant organs are grown attached to a human or animal and harvested when ready. Raw amniotic fluid is also a major commodity.

  • Tourism visits from middle-class indonesians and malaysian citizens.

  • English-language call-centre services

Australian life expectancy has fallen by around 20%, mostly due to dangerous and toxic working conditions our foreign workers face while overseas.

We continue to be callous towards people who lose their homes to climate change, following the first climate change refugees from Alaska and Tuvulu.

A quick search on the Internet turned up this archived article from 2001, my first foray in to the head-hurtingly difficult issues and politics of human-caused climate change.

“Setting out in the footsteps of Phileas Fogg, two Australians are travelling the world by bike, skateboard, boat, camel, bus, canoe, train, horse, rickshaw or whatever other environmentally conscious mode of transport they find appropriate to raise consciousness about global warming. Continue Reading…

I have been invited as one of 10 artists to prepare an idea which will be used as a provocation for discussion.

Here is the brief Angharad Wynne-Jones the Director of Tipping Point Australia  sent me.

“Imagine it’s 20 years in the future (2033) and you are still alive and practicing the arts in Australia. What is an arts project that you might be planning to undertake?

Consider the possible ways that Australia might look in 2033 with regard to society, lifestyle, demographics, technology and so on, taking into account the potential impacts from climate change. You do not have to justify or argue the relative likelihood of your hypothetical future Australia, but try to conceptualize a scenario that you personally think is possible or likely.”

@tippingpointaus

Tipping point are all about art and climate change – re-imagining a global future using dialogue and action and they are based in Melbourne, Australia ·

I have not figured out what my possible project is going to be yet, but I am currently thinking about ideas based around the fragility and frangibility of the internet and the value of DNA in biomass and seedstocks I first heard from Rafael Schouten. I am also brain-chewing the work of the amazing Ernst Haeckel after seeing a book of prints of his incredible artwork illustrating animals and sea creature in the collection of Dr Froth.

I will be writing about my progress up to, during and post Tipping Point here and on Twitter. If you have any advice, ideas or just plain old encouragement, don’t be shy to comment or contact me.

 

For the Coriolis Effect Project I made a piece of immersive, experiential and super-fun live art, you can see pictures and stories about it here.

What were the major benefits and outcomes?

The live art project has extended out into an ongoing work that I have successfully remounted and toured internationally  in Jogjakarta at Pesta Boneka (International Puppet Festival, Papermoon ) and Turning Targets (25 years of Cemeti) and I hope to present and tour more within Australia.

What were the successes and challenges?

Wins

  • Creating an international touring work.
  • Developing great trusting collaborative creative relationships with peers.
  • Successful integration of social media and interactive performance.


Challenges

  • Working in a highly risk-averse event environment.
  • Getting enough time on the site for developing a site-specific and locally-linked work. 
  • Working with a creative excellence framework in an experimental live-art environment. 
  • Balancing a professional and creative development, peer-learning project with a high-stakes performance outcome in a national event.

Have you had difficulties and wins in creative professional development that you have been involved in? I would love to hear about your experience in the comments, in the G+ discussion forum about Arts in Regional and Remote Communities. or ping me on Twitter.

 

Kalgoorlie Miner.

February 26, 2013 — Leave a comment

Tegan Guthrie and Mary Mills at the Kalgoorlie Miner put together this great article “City Impresses Conference Tour” (PDF attached) about the 2014 Regional Arts Australia Conference. City Impresses Conference Tour [PDF]. Image, Esther Anatolitis, Director of Regional Arts Victoria poses in front of a painting in the Goldfields Arts Centre Collection of the superpit